September Opening Exhibition

Get ready to be inspired by fresh, new and beautiful artworks coming to the Ivy Box art gallery in Queenstown this Spring!

Look out for the official notice but the 23rd of September has a nice ring to it!

In Spring, we’ll go back to our regular opening hours. We’ll also have a brand new exhibition with plenty to get excited about. There’ll be a staggered event on opening day, giving everyone the opportunity to drop into our gorgeous gallery, soak up the atmosphere, enjoy new art, sculpture and jewellery, as well as meet Gallery Director Lynda and all the artists contributing to the works in the gallery.

We’re so excited to welcome you back!

Summer 2021 Collection

Summer 2021 is here. The sun is shining, the garden is looking glorious, and the Ivy Box Gallery Director and Artist Lynda Hensman has been busy creating new art in her studio this season.

Lynda’s latest artworks feature moody colours, hidden meanings and depth. Sweeping, expressive brush strokes and loose shapes are prominent in this season’s artworks. Natural greys, greens and blue hues are accented with rusty reds and oranges.

Here’s a selection of Lynda Hensman’s Summer 2021 Art Collection. For commissions or enquiries, pop into the gallery or contact Lynda.

Artwork relectsion by Lynda Hensman part of the summer 2021 collection
Reflections is a large-scale artwork part of the Summer 2021 collection, $9,800
Art by Lynda Hensman. Release is a moody grey, black and orange abstract painting part of the Summer 2021 Collection
Release by Lynda Hensman, (SOLD)
Painting of Dove. The Journey by artist Lynda Hensman
Detail from The Journey, available to view at The Ivy Box this summer
Sunset painting. Orange sky and grey mountains. Artwork by Lynda Hensman
Moments in Time (Part 1), $1,800
Sunrise artwork. Moments in Time shows and orange sky and grey mountains.
Moments in Time (Part 2), $1,800
Black Moth painting Layers of Life by Queenstown artist
Layers of Life is another key piece in Lynda Hensman’s summer collection, $1,400

The culture and history of beading with Hannah Bailly

Beadwork artist Hannah Bailly has created bead jewellery for more than 34 years. 

Originally from Northern California, she began studying the art of Native American beadwork at the age of 18. Since then, Hannah has taken inspiration from beadwork through the ages. She’s explored India, Europe and parts of the Middle East with an artist’s eye.

Today, she’s based in her sunny Beadworkz studio in Dunedin. 

Original bead necklace

Exploring the world of beading

Over her career, Hannah has had many incredible experiences.

“One of my favourite memories is buying gemstones in Jaipur, India. I went to the gem dealers and found the right people down the back alleyways to find the authentic gems. It was amazing.” 

Hannah says another special moment was repairing a 1920s Art Deco necklace for a well-known New Zealand fashion designer. 

“Over time, the necklace had lost some of its beads. Others had broken and some of the weave patterns had disintegrated. She asked if I could repair it and it was difficult because it had the tiniest beads and they’re really hard to find. They couldn’t be found in New Zealand so I had to get them from my supplier in California. 

“Repairing that necklace was special because it brought me more into the New Zealand fashion industry. But it was also a wonderful experience doing the repair. Repairing an ancient piece is rewarding for everyone. It’s rewarding for me because I feel like I’m part of something timeless and it was rewarding for her because she could wear that special piece again.” 

The culture behind bead jewellery

Alongside her beadwork, Hannah teaches Cultural Anthropology at a university. Though the two fields are quite different, anthropology casts a light on the cultural meaning behind beadwork.

“There are many different reasons why people have traditionally done beadwork. But I think in a nutshell, it’s about social status and ritual. In different cultures, like Native American and African cultures, beadwork is worn by people with different statuses. 

“The peyote stitch of Native American beadwork is worn by the shaman during peyote rituals. It’s worn as an emblem that signifies that ritual and it takes them deeper into the spirit realm. That’s one area of social status. It is status combined with mysteries. 

“Some of the African tribes would wear beadwork to signify their standing as royalty. The different pieces that they wore would signify their status. So in a nutshell, it’s a mix of status and ritual.” 

Original bead jewellery

Themes behind Hannah’s beadwork

Hannah says the idea of ritual is carried through her work. 

“When I’m beading, I go into a meditative space. It’s extremely therapeutic in terms of mindfulness. I sit for hours and I just slip into a particular state of mind – that’s a ritual in itself. So producing a piece that comes out of that can be seen as a piece that has engaged in this deep, meditative process. Another, popular way of looking at that is the idea of slow fashion. 

“It’s handmade and has a different energy to something mass-produced.”

Her artwork can be described as ‘otherworldly’ and Hannah takes influences from different ages and cultures. 

“I do a lot of beadwork that could be described as Art Nouveau and Art Deco. I’ve been through a Victorian phase. Some of my work is medieval in appearance, too. When I start using natural materials like the labradorite stones, that takes you into this mysterious zone.” 

Beadwork jewellery in Queenstown

Hannah Bailly will present a wide range of elaborate beadworks that can be worn or enjoyed as an art piece at the Ivy Box. 

“I’m using a lot of natural stones, so I’m going for that ‘mystique’ look. There’s definitely a medieval feel coming through for me in this range too.” 

Hannah first stumbled across the art gallery a few years ago, while visiting the town. 

“I walked in and was just enthralled by Lynda’s artwork. Her work is mysterious and beautiful. So I introduced myself, showed Lynda some images of my artwork and she said: ‘Oh, I want that ring!’. 

“I feel like our artworks are a good match. I feel honoured and excited to be part of the new gallery.” 

Find a range of Hannah Bailly’s eye-catching and intricate beadwork at the Ivy Box gallery from Spring 2021. 

Shadow play: the work of weaver Jasmine Clark

Artist and weaver Jasmine Clark creates sculptures from woven materials. Her work plays with form and shadow, creating striking artworks that are unlike any other. 

Based in Arrowtown, Jasmine’s work will feature in the opening art exhibition at The Ivy Box art gallery. The gallery re-opens in September 2021 after an extensive renovation project.  

“All of my work is created using woven materials,” says Jasmine, “For a long time I was only using recycled copper wire, now I am using rattan (the inside of cane). My hands are starting to feel those harder materials so I’m adapting and exploring other materials.” 

Weaving inspired by nature

Jasmine grew up in Kare Kare on Auckland’s West Coast, where she developed a deep appreciation of nature and natural forms. As a youngster, she was a serious shell collector.

Her introduction to the world of weaving came from her grandmother and mum, who were both rug weavers. 

“Mum used to set me up on a little loom when I was a kid. I went straight to art school from high school and when I was about 18, I did a night class on flax weaving. I was hooked and I’ve been weaving ever since.” 

Jasmine has a Bachelor in three-dimensional design from Unitec Design School (Auckland) and a certificate in visual arts from Nelson Polytechnic. She regularly attends conferences in Australia and New Zealand, teaching and learning more as she goes. 

Though she has moved away from flax weaving, Jasmine still uses natural materials. Her work features materials like bull kelp, willow and rattan, all woven into natural shapes that play with shadow and light. 

“Most of my work is based on natural forms and natural materials. I use found driftwood and recycled wire, rattan… 

“I love playing with shadows and natural forms. Weaving lends itself beautifully to shadow play so I always try to incorporate that.” 

Rattan weave sculpture by Jasmine Clark casts a shadow on a white wall

New Beginnings exhibition

Jasmine says she’s excited to be part of The Ivy Box gallery’s New Beginnings exhibition this spring.  

“I visited the gallery the other day and it’s amazing – so cool and fresh and funky. And you can’t beat that location by the lake…”

From her studio in Arrowtown, Jasmine works on commissions but the exhibition has offered an opportunity to experiment and create something completely different.

“I’m using rattan and experimenting with different ways to dye it. So I’ll probably do that for Lynda’s gallery. 

“I’ll also incorporate driftwood which I have been charring with a blow torch. This is similar to a technique used in Japan for cladding.

“Playtime has become a luxury recently. So that’s the thing I’m most looking forward to. I’ve got some ideas and I’m working on something new for the exhibition. I won’t be repeating something I have already done and I’m excited to share that.”

The Ivy Box’s opening exhibition, New Beginnings, starts 24th September 2021. The exhibition features new work by a multi-disciplinary range of contemporary New Zealand artists. 

Media release: New beginnings for Queenstown art gallery

Queenstown art gallery The Ivy Box is entering a new chapter thanks to an extensive renovation project. 

Housed in the town’s original butcher’s shop on Park Street, the building has been lovingly restored and extended, with the addition of a modern gallery and artists’ residences.

The Ivy Box will re-open to the public on 24th September 2021, with an aptly named ‘New Beginnings’ exhibition. The exhibition will feature the work of The Ivy Box Founder and Director Lynda Hensman as well as work by talented contemporary artists curated by Lynda. 

Ivy Box art gallery sign

“The building no longer served me. It was freezing! It was time to take the building on a new journey, to evolve it into a more modern – and warm – venue for contemporary art,” says Lynda.

“I’m looking forward to not having to wear gloves and a scarf while painting! But more than that, I think the renovation has managed to preserve the essence of the building, whilst giving it a new beginning, a new lease on life. 

“It’s in an incredible location, on the fringe of Queenstown CBD, right on the lakefront and with gorgeous views and I wanted to preserve and enhance that. 

“The haphazard 1970s/80s extension has been demolished to make way for sweeping windows on the upper floor, while the ancient stone walls have been preserved and our famous ivy and Virginia Creeper will be lovingly encouraged to grow back – though not through cracks in the windows and cupboards like it did before the renovation!” 

The gallery originally opened in 2015 and while the building has been transformed, The Ivy Box continues its dedication to authentic New Zealand art. 

Artists at the opening exhibition include Sue Hartly, Jane Sutherland and Odelle Morshuis. The exhibition will also introduce up-and-coming young talent like Hana Coleman. 

“The Ivy Box will still be a venue for authentic art that’s created with passion. The artists on board all have the same passionate dedication to their art – they create from the heart and are ‘outside the square’ in terms of approach and thinking. I’ve hand-picked them for that reason. 

“While the landscape outside is beautiful, you won’t find traditional landscape art inside. The new gallery space will be a home for art that stimulates all the senses – there’s grit, contrast and passion in all of it.” 

Lynda Hensman painting with Monty

For interviews or more information, contact Lynda Hensman.

Photo credit: James Allan Photography

Outside of the square: a quirky restoration project

Restoring the Ivy Box Gallery

“You’ve got to have a bit of vision and imagination,” says Lynda, as she stands in a dust puddle in the dark remnants of her art gallery. 

Monty the dog is sniffing at the base of one of the old schist walls and the red leaves of a climbing plant obscure the remaining window’s lake views. Outside, the builders are busy – the project is due to be finished in 2021. 

Lynda Hensman’s Ivy Box Gallery has been a favourite among locals since it opened in on Park Street (Queenstown) in 2015. Originally the town butcher’s shop, the building has been haphazardly renovated and added to over the years. It served as what Lynda calls a “snowboarders’ den”, housing seasonal workers who didn’t care about the building’s lack of insulation, until Lynda transformed it into an art gallery. 

The exterior of the building was cloaked in different varieties of ivy and climbing plants like Virgina Creeper which gave the building a vibrant red hue each autumn. It’s this appearance which made the building look so quaint and Instagram-able. But Lynda explains that, sooner or later, a more serious renovation was required: 

“The rats were holding hands in the walls, they were keeping this up. When the builders removed one of the floors, 90 years’ worth of rat shit fell down on them. I had to buy them a box of beers for that.”

The Ivy Box gallery before restorations began
Nothing to see here: How the building looked before Lynda Hensman began transforming it in 2015

A quirky restoration project

In 2017, she contacted architect Thom Ibbotson from Yoke to help bring the building up to modern standards and to develop living spaces for Lynda and her daughter on the spacious section behind the gallery. 

“I chose Thom because he was young, intelligent and very fresh with his ideas and concepts,” adds Lynda. 

Thom says a technicality within the resource consent process has become an asset to the project. 

“Resource consent ended up triggering work to be done to the existing building, which had a 1970 add-on that was only really held together by ivy. The bottom part of the building was schist and we wanted to keep that – that’s the historic part. 

“[…]The building isn’t classed as historical… but it’s proper old, nothing is straight or stable. A lot of work has been done to preserve three walls. A lot of neighbours have a romantic relationship with the building, but it’s the 70s portion that most people could see.” 

The real work begins: the Ivy Box begins to transform in early 2021

Outside of the square

The building was uninsulated and Lynda had to wrap up warm to work in the gallery – particularly during Queenstown’s icy winters. The renovations will change this, creating a practical space that’s warm and a pleasure to work and create in. Thom says that Lynda’s use of the space – and her personality – have also shaped the project.

“What this project is and what it is about is specific to Lynda. It’s not a normal brief. It’s a home occupation and a hobby and this is her unique approach. She’s a great client, one who’s wanting to take risks. 

“Her creativity has added a lot to this project and her foresight as an artist meant that she knew what she wanted – bold, strong forms and good aesthetics. Lynda has a bold personality and the concept and the design reflects that – it’s raw, there’s concrete block and exposed steel with a bit of glazing.” 

Using concrete and exposed metal will enable the climbing ivy and Virginia creeper plants to envelop the building again, restoring the building to its former leafy glory. The addition of a balcony and glazing on the upper floor will take in views of the mountains and lakes. 

Not long to go: The Ivy Box in June 2021

Lynda envisions her new artist’s studio doubling as a personal yoga studio – all with prime views to inspire and invigorate her work. Once complete, she’ll return the downstairs gallery to its original purpose: a home for art that’s created ‘outside of the square’. 

Making use of the oddities of the original building, the space and the opportunities to create something new have been a key part of this project. 

“Unique is a word that’s bandied about a lot, but I believe this is it,” says Lynda.  

This article first appeared in Building Dreams magazine, November 2020, and has been republished with permission